anxa 
84-B 
6208 


Catalogue  Number  10 


-  I    Corn.  DusART  No.  113  ] 

'  "    ;  ^  ,..^.^jame;msmsssm«^^    >  ,  •  -■■■-Si 

OLD  PRINTS  AND 
ORIGINAL  DRAWINGS 

DECEMBER,  1915 

R.  EDERHEIMER  PRINT^CABINET 

366  FIFTH  AVENUE,  NEW  YORK 


Digitized  by  the  Internet  Archive 
in  2015 


https://archive.org/details/illustratedcatalOOrede_0 


L)U  KER 


No.  102 


Illustrated  Catalogue 

of  a  Miscellaneous  Selection  of 

RARE  ENGRAVINGS,  ETCHINGS 

and 

ORIGINAL  DRAWINGS 

of  Many  Schools  and  Periods 


From  the  Portfolios  of 

R.  EDERHEIMER  PRINT^CABINET 

366  FIFTH  AVENUE,  NEW  YORK 
OFFERED  AT  PRICES  ATTACHED 
CHRISTMAS,  1915 


ARRANGED  AND  P  R  1  \  1  ¥.  D 
AT  THE  BARNES  PRIN'ITNG  CO. 
i(>  EAST  zid  STREET,  NEW  YORK 


H.  S.  Beham  No.  45 

Notes 


WING  to  the  war  it  was  impossible  last 
summer  to  travel  over  Europe,  making 
researches  and  special  collections,  such 
as  have  in  the  past  provided  the  mate- 
rial for  my  catalogues.  It  is  for  this 
reason  that  I  find  myself  limited  at 
present  to  a  publication  of  a  more  gen- 
eral and  a  more  commercial  nature 
than  usual. 

Dealers  are  reluctant  to  issue  priced 
catalogues  of  engravings,  because  some 
readers  will  readily  consider  a  dealer 
expensive  or  unreasonable  if  they  see  a  high  price  for  a  fine 
impression,  a  poor  specimen  of  which  they  have  acquired  or 
seen  for  ever  so  much  less.  Yet  I  include  the  prices  in  this  cata- 
logue without  fear,  with  the  conviction  that  every  item  repre- 
sents at  least  the  full  value.  This  catalogue  does  not  include 
my  entire  stock,  but  only  a  small  miscellaneous  selection  from 
my  collections,  giving  a  fair  idea  of  their  varied  character. 

The  alphabetical  order — prints  and  drawings  mixed — has 
been  chosen  so  as  to  give  the  best  possible  picture  of  that  va- 
riety. A  systematic  index  in  chronological  order  has  been  added. 
The  same  system  of  variety  underlies  the  selections  of  the  repro- 
ductions, which  include  costly  rarities,  and  also  low-priced  items, 
showing  that  a  fine  and  interesting  engraving  or  original  draw- 
ing can  still  be  acquired  at  a  very  little  cost. 

Defects  of  prints  (there  are  only  few  showing  such)  have 
conscientiously  been  stated.  There  are  purposely  a  number  of 
lesser  items  (later  states)  included,  which  inexpensive  as  they 
are,  would  form  suitable  and  attractive  holiday  gifts. 

To  the  bulk  of  pieces  by  the  old  masters  a  few  line-engravings 


DURER 


No.  103 


of  the  early  19th  Century  have  been  added.  These  are  some  of 
the  finest  pieces  from  a  very  large  collection  in  my  possession. 
The  impressions  are  all  of  the  greatest  beauty,  and  these  engrav- 
ings have,  not  ten  years  ago,  commanded  about  four  times  as 
large  a  price  as  that  at  which  they  are  here  quoted. 

Shipments  on  approval  out  of  town  cannot  be  made  during 
the  month  of  December,  but  every  item  ordered  will  be  readily 
taken  back  in  exchange,  if  not  fully  satisfactory. 


November,  1915. 


R.  EDERHEIMER. 


6 


Aldegrever 


No.  2 


Catalogue 


Heinrich  Aldegrever,  1502-1562 


1  Adam  and  Eve 

Bartsch  7  and  8 

A  beautiful  pair  of  Prints. 

Duplicates  from  the  Royal  Collection,  Dresden.    Pair  $20.00 

2  Ornament 


Bartsch  260 


Extremely  line  impression. 
See  reproduction  above. 


35.00 


3  Ornament 

Bartsch  281 

Brilliant  impression ;  Collection  Shroeder. 
See  reproduction,  page  8. 


25.00 


7 


Aldegrever 


No.  3 


Albrecht  Altdorfer,  1488-1538 

4  Judith 

Bartsch  1 

\>ry  tine  impression.  20.00 

5  King  Solomon,  Adoring  the  Idol 

Bartsch  4 

I^lxquisite  little  print.  15.00 

6  The  Virgin  Enthroned 

Bartsch  13 

Beautiful  impression  of  the  minute  plate,  very  rare. 

See  reproduction,  pai;e  9.  28.00 

7  The  Virgin  and  St.  Anna 

Bartsch  14 

(jQod  impression,  ^-ery  rare.     Collectitni  iiettner  v. 
Alteneck.  24.00 

8  The  Virgin  and  Child,  in  an  Open  Landscape 

Bartsch  17 

Capital  plate,  in  superb  impression,  \ery  rare.  70.00 

9  The  Centaur 

Bartsch  37 

Very  small  plate,  extremely  fine  and  rare. 

Collection  I. anna.  20.00 

8 


10  Two  Satyrs  Fighting  for  a  Nymph 

B.  38 

Subject  similar  to  the  one  treated  in  Diirer's  Jealousy. 

Very  delicate  and  fine.    Collection  v.  Baldinger. 

See  re])r()ducti()n  15  00 

11  Woman  Bathing 

B.  56 

Charming  Little  Plate.  —  12.00 


Altdorfer 


No.  6 


Altdorfer 


No.  10 


Jost  Amman,  1539-1591 

12  Fortitude,  Original  Drawing 

Pen  and  wash,  5-'^4  in.  high,  4^2  in.  wide.  30.00 

13  Two  Nobelmen  With  a  Horse,  Original  Drawing 

Pen  and  India  Ink,  3/8  iii-  bigfii         in-  wide.  30.00 

Anonymous  Master  of  the  XVIth  Century 

14  Two.  Dagger-Hilts;  one  with  Hercules,  the  other  with 
a  Roman  Warrior 

Bartsch  X,  p.  164,  49  and  50 

Snperl)  impressions.    Collection  Panna.  P^air.  50.00 

9 


Anonymous  Masters,  XVIth  Century 

15  Rich  Ornament,  in  the  Style  of  the  Little  Masters, 
Undescribed 

Fine  impression,  l)acke(l.  12.00 

16  The  Judgment  of  Paris,  Undescribed 

Circular  engraN'ing',  diani.  inch. 

Collection  Davidsohn.  12.00 


Jacob  Adriansz  Backer,  1608-1651 

17  Study  of  a  Nude,  Original  Drawing 

Beautiful  design,  in  black  and  white  chalk  on  grey 
paper,  7  inches  high,  S}i  in.  wide.  45.00 

18  Peasant  Woman,  Seated  on  the  Ground,  Original 
Drawing 

Characteristic  piece  ;  black  and  white  chalk  on  blue 
paper,  /J/  in.  high,  7ys  ii^i-  wide.  20.00 

10 


Francesco  Bartolozzi,  1730-1813 


19    Affection  and  Innocence,  Color  Print,  Engraved  by 
P.  W.  Tomkins 

Magiiiticently  printed  in  colors,  oval,  little  margin. 
Duplicate  from  the  Collection  of  the  late  J.  P.  Morgan. 
See  reproduction,  page  10.  250.00 


Attributed  to  Bartolozzi 

20    Young  Woman  with  a  Dolphin,  Original  Drawing 

Black  and  red  crayons,  9^  in.  high,  7 Yi  in.  wide.  75.00 


Engravings  by  Bartolozzi 

21  Frontispiece  to  Vol.  Ill  of  Miss  Barney's  Evelina 

Exquisite  proof  before  all  letters,  printed  in  1:»r()wn.  10.00 

22  Allegorical  Frontispiece  with  Handel  Medal 

l^-()()f  with  wide  margin.  15.00 

23  Mother  Taking  Leave  of  Her  Son 

Lovely  small  print,  proof  l)efore  all  letters,  Tuer  922.  15.00 

24  Painting,  Sculpture  and  Architecture  Rendering  Honor 
to  King  George  III 

Two  proof  impressions,  finished  and  unfinished.    Pair,  25.00 

25  Cupid  and  Psyche,  After  Cipriani 

Tuer  1442 

Proof  before  all  letters.  Collection  Robert  Hoe.  10.00 


Isaac  Beckett,  1653-1715 

26  Adrian  Beverland,  Mezzotint  after  G.  de  Vois 

Smith  7 

Brilliant  impression  of  the  first  state,  framed.  30.00 

27  Mrs.  Anne  Killigrew,  Mezzotint  After  Her  Self-Por- 
trait 

Charming  early  Mezzotint.    Framed,  18.00 

11 


Corn.  Be(;a 


No.  29 


Cornells  Bega,  1620-1664 

28  Portrait  of  Cornelis  Cornelisz  van  Harlem,  Original 
Drawing 

Signed:  Korn.  Begga,  4  in.  high,        in  wide.  20.00 

29  Three  Peasants  at  a  Fire-place,  Etching 

Bartsch  23 

See  re])r()dncti()n.    Cohection  Schroeder.  18.00 

30  Mother,  Holding  a  Child,  Etching 

Bartsch  28 

Lovely  print  in  fine  impression  with  margin. 

Collection  von  Baldinger.  12.00 

Abraham  Begeyn,  1630-1697 

31  The  Ford,  Original  Drawing 

Pen,  sepia  and  India  ink  ;  5  in.  high.  8  in.  wide.  25.00 


Barthel  Betiam 


No.  34 


Barthel  Beham,  1502-1540 

32  A  Soldier,  Seated 

Bartsch  45 

\>ry  Fine  impression,  rare.  30.00 

33  Soldier  on  Horseback,  Holding  a  Halberd 

B.  49 

Fine  impression.  \  ery  rare:  Collection  \'.  Baldinger.  24.00 

34  Coat  of  Arms  of  Hier.  Baumgartner 

B.  57 

V  ery  line  and  rare. 

See  reproduction  30.00 

Hans  Sebald  Beham,  1500-1550 

35  The  Expulsion  From  Paradise 

Bartsch  7 

Fine  impression  of  the  second  state  (3). 

Collection  von  Baldinger.  18.00 

13 


H.  S.  Beham 


No.  37 


36  The  Man  of  Sorrows 

Bartsch  26 

Good  impression,  rare.  20.00 

37  Triton  and  Nereid  (1523) 

B.  86 

Impression  of  greatest  1)rilHancy,  see  reproduction 
Very  rare.  30.00 

38  Hercules  Carrying  Off  lole 

B.  99 

Good  impression,  from  the  set :  The  Tweh-e  Lal)ors 

of  Hercules.  12.00 

39  Hercules  Fighting  the  Trojans 

B.  101 

Very  hue  impression,  from  the  same  set.  18.00 

40  Patientia 

B.  138 

Superl)  early  impression,  1)efore  tlie  cross  hatchings 
on  the  leg  of  the  Angel.  Together  with  the  reversed 
copy,  both  from  the  Lanna  Collection. 

See  reproduction,  page  15.  Pair,  40.00 

41  The  Disturbed  Lovers 

B  175 

Brilliant  impression.  Collection  Lanna.  12.00 

14 


H.  S.  Bkiia.m  No.  40 

42  The  Peasant  with  a  Pitch-fork,  "Es  1st  Kalt  Weter'* 

B.  188 

Excellent   impression   of  the   lirst   state.  Collection 
Lanna.  16.00 

43  Study  of  a  Man's  Head  (1542) 

B.  219 

\^ery  tine  impression  of  the  third  state.  18.00 

44  Ornament  With  Two  Fantastic  Heads  of  Fish 

B.  235 

Fine  impression  of  the  lirst  state,  Collection  Schroeder.  20.00 

45  Ornament 

B.  236 

Beautiful  impression  ;  Collection  v.  Baldinger.  16.00 
See  reproduction,  page  5. 

15 


St.  della  Bella  No.  46 


Stephano  della  Bella,  1610-1664 

46  Two  Original  Drawings  on  One  Mount 

Al)()\e:  Two  Peasants  on  a  Truck  W  ith  l  lorse. 
3ys  in.  high,  5^^  in.  wide. 
See  reproduction 

Below:  Roman  Sketch  with  the  Cohseum. 
6>)4  ii"*-  high,  9^  in.  wide. 
Two  superl)  designs. 
Collections,  Dinisdale,  A\^)odl)urn,  (lasc.  l^iir.  80.00 

47  Sheet  With  Five  Small  Sketches  of  Knights  and 
Armor 

Exquisite  drawing"  in  pen  and  pencil,  3  in.  high,  4^8 
in.  wide. 

Collections,  Dijonval,  Woodburn  and  Gasc.  20.00 

48  Pen  Study  of  Three  Musketeers 

Same  quality  as  that  of  the  two  i)receding  items. 
4->4  in.  high,  3->4  in.  Vvdde.    Collections  Dimsdale  and 
Esdaile.  '  25.00 

16 


Nicholas  Berghem,  1620-1683 

49  A  Sheet  with  Ten  Studies  of  Sheep;  Superb  Crayon 
Drawing 

Signed.    7^  in.  high,  10?s  in-  wide.  60.00 

Barie  Jeanne  Bernard,  1740-1804 

50  Portraits  of  Louis  XVI  and  Marie  Antoinette 

Pen  and  water  color  drawing  with  a  caligraphic  l^order 
by  the  artist's  father,  Jean  Joseph  Bernard,  called  Ber- 
nard de  Paris,  famous  calligrapher. 
This  design  has  l)een  engraved. 

14^  in.  high,  103^  in.  wide.  175.00 

Jacob  Bink,  1490  or  1504-1560 

51  Judith 

Bartsch,  engraved  1528 

Good  impression,  rare.  16.00 


Bonnet 


17 


No.  56 


i 


52    Cupid  Riding  on  a  Dolphin 

Bartsch  47 

Delicate  little  print,  rare.  15.00 


Herri  met  de  Bles  (Blesius),  Netherland  School, 
XVIth  Century 

53    St.  Luke,  Painting  the  Madonna,  Original  Drawing 

Rich  composition,   pen  on   yellowish   ground,  with 
white  high  lights. 

Circular,  diameter  10;/,  inch.  300.00 


Abraham  Blootelingh,  1634-1685 

54    Catherine,  Queen  of  Charles  II.  After  Sir  Peter  Lely 

Exquisite  early  Mezzotint.  15.00 


Robert  Boissard,  French  School,  about  1600 

55    Nymphs,  Surprised  by  Satyrs,  Original  Drawing 

Charming  design  in  pen  ;  circular,  dianielcr  6  in.  35.00 


Louis  Marin  Bonnet,  1743-1793 

56    Head  of  a  Young  Girl,  After  Carle  Vanloo 

Lovely  crayon  engra\  ing  '  en  deux  crayons"  on  1)lue 
paper ;  very  line  and  rare  ;  see  reproduction,  page  17.  225.00 


Francois  Boucher,  1704-1770 

57    Diana  and  Endymion,  Original  Drawing 

Superb  and  highly  characteristic  design,  in  black  and 
white  chalk  on  bluish-grey  paper,  signed. 
Oval,  11^  in.  high,  15  in.  wide. 

See  reproduction,  page  19.  700.00 


19 


i 


k  

BOUNIER-JUBIER  No.  58 

Michel  Honore  Bounier,  1740-1814.    Engraved  by 

Jubier 

58  La  Confidence 

Charming  French  Color-engraving,  very  rare. 

Entirely  printed  in  colors,  with  margin. 

See  reproduction.  250.00 

Leonard  Bramer,  1596-1674 

59  Abraham's  Sacrifice 

Vigorous  pen  and  sepia  drawing,  close  to  Rembrandt's 
style. 

9ys  in.  high,  75/8  in.  wide.  35.00 

20 


Joerg  Breu,  1480-1537 

60  Tubal  Cain  Inventing  Music 

Masterly  Chiaroscuro  drawing  in  1)lack  and  white  on 
brown  ground,  dated  1522. 

137/8  in.  high,  G^A  in.  wide.  450.00 

61  Fountain  of  Youth,  Original  Pen  Drawing,  partly 
colored 

Magnificent ;  most  characteristic  piece. 
See  reproduction. 

Circular,  diameter  11  in.  450.00 

Jan  Bronkhorst,  1648-1727 

62  A  Sheet  With  24  Studies  of  Insects 

Exquisite  pen  and  water-color  drawing.  Collection 
A.  Sigwalt. 

ZYz  in  high,  7%  in.  wide.  30.00 


Theodor  de  Bry,  1528-1598 

63  De  Hoopman  van  Weysheyt  (Prince  William  of  Nas- 
sau) 

Portrait  in  rich  circular  ornamental  border. 

Circular  eng"ra\  ing  for  a  plate  design.  15.00 

64  De  Hoopman  van  Narheyt  (The  Duke  of  Alba) 

Companion  piece  to  the  preceding  item. 

Superb  impression  with  full  margin.  15.00 

Henry  William  Bunbury.    Died  1811 

65  Love  and  Jealousy,  and  Love  and  Hope 

A  pair  of  beautiful  oval  color-prints,  engraved  l)y  C. 
Knight.  Closely  trimmed  to  the  oval.  Duplicates 
from  the  Collection  of  the  late  Mr.  ].  P.  Morgan. 

Pair,  350.00 


[ 


Calt.ot 


22 


No.  66 


^1 


Luc  A  Cambtaso  No.  69 


Jacques  Callot,  1592-1635 

66  The  Slaughter  of  the  Innocents 

Meaume  6 

Superl)  impression  of  the  first  state,  \'ery  rare. 

See  reproduction,  page  22.  25.00 

67  The  Parable  of  the  Prodigal  Son 

M.  53-63 

Complete  set  of  11  in  excellent  uniform  impressions 

of  the  second  state,  1)efore  the  numl^ers. 

From  the  Collection  of  Dr.  Straeter.  The  Set,  80.00 

68  Balli  di  Sfessania  (Cucurucu)  Caricatures  of  the  Ital- 
ian Comedy 

M.  641-664 

Complete  set  of  24  in  brilliant  uniform  impressions  of 

the  first  state,  before  tlie  numl)ers.  95.00 

Luca  Cambiaso,  1527-1585 

69  The  Rest  in  Egypt,  Original  Pen  Drawing 

13j^  in.  high,  9^^^  in.  wide.    Collection  Count  Gelozzi. 

See  reproduction.  75.00 

23 


D( )  .AI E  N I  CO  C  A  M  PAG  N  OL  A 


No.  70 


Domenico  Campagnola,  1484-1556 

70  Mountainous    Landscape    with    Roman    Ruins  and 
Statues 

Original  drawing  in  l)rown  ink.    One  (3f  the  drawings 
previously  attri1:)uted  to  Titian. 
8  in.  high,  11  in.  wide. 

See  reproduction.  250.00 

Alonzo  Cano,  1601-1665  (Spanish  School) 

71  St.  Cecilia,  Original  Drawing  in  Sanguine,  Signed 

in.  high,  4^2  in.  wide.    Collection  C.  (lasc.  40.00 

Ugo  da  Carpi.    Born  about  1486 
Italian  originator  of  wood-cuts  in  Chiaroscuro 

72  The  Slaughter  of  the  Innocents,  After  Marc  Antonio 

Bartsch  II,  7 

Wood-cut  in  Chiaroscuro  from  tliree  plates. 
TLxcessively  rare.  75.00 

73  The  Miraculous  Draught  of  Fish,  After  Raphael 

B.  II,  13 

Chiaroscuro  from  three  plates,  second  state  with  the 
address  of  A.  Andreani.  40.00 

24 


74  The  Resurrection,  After  Raphael 

B.  II.  22 

Superb  Chiaroscuro  from  three  plates.  60.00 

75  The  Death  of  Ananias 

B.  II.  27 

Chiaroscuro  from  three  plates. 

Good  impression  of  the  second  state  (3).  40.00 

76  Sibyl,  Holding  a  Torch 

B.  V.  6 

The  first  ItaHan  attempt  at  Chiaroscuro  from  two 
plates.    Collections  Alariette  and  Gawet.  75.00 

77  Venus  With  Cupids  at  Play 

B.  Vli.  3 

Oval,  Chiaroscuro  from  three  plates  ;  of  the  greatest 
rarity.  100.00 

Giovanni  Battista  Cipriani,  1727-1785 

78  Head  of  a  Young  Girl,  Original  Drawing 

Black  crayon  and  water-color,  6^  in.  high,        in.  wide. 
See  reproduction.  45.00 

79  Another  Girl's  Head 

Drawing  equal  in  size  and  style  to  the  preceding  item.  45.00 


Alaert  Claes  No.  80 

Alaert  Claes.   Active  between  1520  and  1555 

80  The  Virgin  Crowned  by  Two  Angels 

Aumueller  47 

Engraving,  delicately  printed  and  \'ery  rare. 

See  reprodnctif  )n.  35.00 

81  Standard  Bearer,  Drummer  and  Piper 

Passavant  121 

Charming  circnlar  print,  \  ery  rare.  18.00 

Bartolomeo  Coriolano,  1590-1649 

82  A  Sibyl  With  an  Angel 

Bartsch  V.  2 

Wood-cut  in  Chiaroscuro  from  two  plates  after  G. 
Reni.  15.00 
Cornells  van  Dalen,  1602-1664 

83  Portrait  of  Rudolf  Petri 

iMigraved  after  A.  \  an  Nieulandt. 

\"erv  fine  ini])rcs^  i(  )n.  15.00 

26 


Claes  Cornells  Delff.    Died  1620.    Pupil  of  Miereveldt 

84  Portrait  of  Henri  Frederick,  Prince  of  Orange 

Brilliant  im])ressi( )n,  xQvy  rare.  35.00 

Willem  Jacobz  Delff,  1580-1638 

85  Ernest  Prince  of  Mansfeld,  Engr.  1624,  After  Miere- 
veldt 

Fr.  43 

Good  impression.  30.00 

Gilles  Demarteau,  1729-1776 

86  Portrait  of  Carle  Vanloo,  After  Himself 

Crayon  engraving",  printed  in  red. 

Beautiful  and  decorative  piece.  25.00 

Auguste  Gaspard  Louis  Boucher-Desnoyers,  1779-1857 

87  La  Belle  Jardiniere,  After  Raphael,  Line  Engraving 

Superl)  impression  of  the  tirst  state,  with  Desnoyers 
own  signature.    One  of  the  finest  Line-Rngravings 
of  the  greatest  rarity  in  this  state. 
See  reproduction.    (With  margin,  not  visible  on  the 
cut).  .  100.00 


Bouciier-Desnoyers 


No.  87 


88  La  Vierge  a  la  Chaise  (Madonna  della  Sedia,  After 
Raphael) 

Scratched  letter  proof,  extremely  rare.  35.00 

89  La  Vierge  au  Berceau,  After  Raphael 

Epreuve  d'artiste.  (Proof  impression  before  the  first 
state).    Very  rare.  40.00 

Domenico  Zampieri,  called  II  Domenichino,  1581-1641 

90  Study  of  a  Sleeping  Youth;  Original  Drawing  in  Red 
Chalk 

6^'^  in.  high,  75.8  in.  wide.     Collection  Nath.  Hone 
1718-1784. 

See  reproduction.  75.00 

John  Downman,  1769-1824 

91  Mrs.  Siddons,  engraved  by  P.  Tomkins 

Beautifully  printed  in  bistre.  125.00 

Pierre  Drevet,  1664-1739 

92  Portrait  of  Jean  Issaly  (1620-1702) 

F.  D.  74 

I)rilliant  impression.  15.00 


Domenichino 


1  i 


No.  90 


28 


DuRER  No.  95 

Albrecht  Durer,  1471-1528 

93  The  Sudarium,  Held  by  Two  Angels,  Copper  En- 
graving 

Bartsch  25 

Brilliant  impression  from  the  Rnmpf  Collection.  300.00 

94  The  Sudarium,  Held  by  One  Angel,  Etching  on  Iron 

B.  26 

Very  fine  impression,  before  the  rust  s|)ots.  75.00 

95  The  Virgin  (with  short  hair)  and  the  Child  on  a 
Crescent 

B.  33 

Extremely  fine  impression,  Collection  Junius  S.  Mor- 
gan. 

See  reproduction  225.00 

29 


DuRER  No.  97 

96  The  Virgin  Nursing  the  Child 

B.  36 

Good  impression  of  the  lovely  plate.  ■  80.00 

97  The  Virgin  Holding  a  Pear 

B.  41 

Impression  of  perhaps  unique  brilliancy,  with  wide 
margin. 

Collections  :  Julian  Marshal,  Morrison,  Ro1)ert  Dumes- 

nil.    See  reproduction.  650.00 

30 


98  The  Five  Disciples  of  Christ 

Bartsch  46-50 

Uniformly  brilliant  set  of  ti\-e,  from  the  collections 
Marshall,  Morrison,  Th.  Irwin  and  J.  S.  Morgan. 

Set  of  live,  250.00 

99  Apollo  and  Diana 

Bartsch  68 

Superb  impression,  very  rare. 

See  reproduction  200.00 
100    The  Satyr  Family 

B.  69 

Very  fine  impression  from  the  Collection  Lord  Ayles- 
ford. 

See  reproduction  200.00 


DURER 


No.  99  DliRER 


No.  100 


31 


DURER  No.  101 

101  The  Rape  of  Amymone 

Bartsch  71 

Brilliant  impression,  from  the  Collection  A  Firmin- 
Didot. 

See  reproduction  250.00 

102  The  Melancholia 

Bartsch  74 

Capital  plate  in  an  impression  of  unsurpassable 
beauty.  Collections:  Archinto,  Firmin-Didot,  (ialli- 
chon,  M.  J.  Perry. 

See  reproduction  on  front  page.  1,800.00 

103  The  Large  Fortune 

B.  77 

Impression  of  the  greatest  beauty,  on  paper  with  the 
high  CroAvn  water-mark.  Written  on  the  reverse  :  A 
Paris  chez  IMerre  Mariette,  Rue  St.  Jacque  a  L'b^.per- 
ance  1679. 

See  reproduction,  page  6.  650.00 

32 


104  The  Little  Courier 

B.  80 

I^^inc  ini])ressiun  ;  ^'ery  rare.  110.00 

105  The  Hostess  and  the  Cook 

B.  84 

Fine  impression,  from  the  l\nm])f  Collection. 

See  reproduction  95.00 

106  The  Promenade 

B.  94 

I^^ine  impression.    Collection  J.  S.  Morgan.  275.00 

107  The  Little  Horse 

B.  96 

Impression  of  the  greatest  brilliancy,  of  greatest  rarity 
in  such  condition.    Collections  Robert-Dumesnil  and 


J.  S.  Morgan. 


450.00 


DilRER 


No.  105 


33 


108  The  Coat  of  Arms  with  the  Cock 

B.  100 

Brilliant  early  impression,  upper  left  corner  restored.  150. OQ 

109  The  Coat  of  Arms  with  the  Skull 

B.  101 

Brilliant  early  impression.    See  reproduction. 

Collections:  Mariette  and  Marsden  J.  Perry.  390.00 

110  Portrait  of  Philipp  Melanchthon 

B.  105 

Very  fine  impression,  paper  with  the  water-mark  of 


140.00 


DiiRER  No.  108 

34 


ViVENTiS  P  OTVIT-DVRERI\-^ •  ORA  PHI LIPPI  5 

A\ENTm-NON  ■'POT\iT-PmGERE -DO  CTA 
MJJSIYS 


I ,  ■  M  J 

DURER  No.  110 

111  Portrait  of  Ulrich  Varnbueler,  Wood-cut 

B.  155 

Good  imprcssicni  in  perfect  condition,  xQvy  rare.  125.00 

112  St.  Martin,  Dividing  His  Cloak,  Wood-cut 

B.  app.  18 

Clear  early  impression,  very  rare.  45.00 

Cornells  Dusart,  1665-1704 

113  Young  Man,  in  Full  Length,  Resting  on  a  Chair. 
Original  Drawing 

Exquisite  design  in  red  and  l)lack  chalk  on  l)kie  paper. 
11  in.  high,  7}i  in.  wide. 

See  reproduction  on  co\  er.  120.00 

114  Seated  Man,  Smoking,   Holding  a  Pitcher  in  His 
Right  Hand,  Original  Drawing 

Fine  l)lack  and  \.vliite  chjilk  drawing  on  grey  paper. 

in.  high,  6>4  in.  vvicke.  '  '  45.00 

3S 


VAN  DyCK 


No.  115 


Anthony  Van  Dyck,  1599-1641 

( .Vttribiited  to  ) 

115  The  Slaughter  of  the  Innocents,  Original  Drawing 

Superl)  and  ^dg■()r(JUs  composition  in  chalk  and  wash 

on  greenish  paper;  9^  in.  high,  13j;s  in.  wide. 

See  reproduction  200.00 

From  the  Iconographie  of  A.  Van  Dyck: 

116  Franz  Franck,  or  Francken 

Wibiral  6 

Original  etching  by  xan  Dyck. 

Fine  later  impression.    Collection  A.  Firmin  Didot.  20.00 

117  Jodocus  de  Momper 

Wibiral  7 

Original  etching  by  van  Dyck. 

Good  later  impression,  with  wide  margin.  18.00 

118  Jan  Snellinx 

W.  102 

Good   impression   of  the   fifth   state.     Collection  v. 
Baldinger.  15.00 

36 


119  Margaret  of  Lorraine 

W.  23  II,  engr.  by  Schelte  a  Bolswert 

Superl)  impression,  extremely  rare.  15.00 

120  Andreas  Colyns  de  Nole 

W.  34  I,  engr.  by  Peter  de  Jode 

First  state,  im])ressi(jn  of  greatest  l)eauty,  very  rare.  25.00 

121  Marquis  de  Mirabella 

W.  150  I,  engr.  by  Conr.  Waumans 

Beautiful  impression  of  the  first  state,  very  rare.  20.00 

122  Raphael  Sanzio 

W.  162  I,  engr.  by  Paulus  Pontius 

Superl)  impression  of  the  first  state,  of  greatest  rarity.  45.00 


Richard  Earlom,  1728-1822 

123  Alope  (Lady  Hamilton),  After  Romney 

Loxely  stipple  engra\ing  in  1)eautiful  impression. 
Printed  in  brown,  with  margin;  framed.  45.00 

124  The  Holy  Family,  Mezzotint  After  Rubens 

Proof  before  the  letters,  superb  impression  with  mar- 
gin. 70.00 


Gerard  Edelinck,  1640-1707 

125  Robert  Arnauld  d'Andilly 

R.  D.  142 

Good  impression  of  the  second  state,  before  the  name 

and  the  reduction  of  the  plate,  with  margin.  15.00 

126  Pierre  van  Bouc 

R.  D.  157 

Fine  impression  of  the  first  state. 

Collections  (lawet,  Firmin  Didot  and  others.  20.00 

37 


John  Faber,  1684-1755 

127  Charles  Montague,  Earl  of  Halifax,  Mezzotint 

Beautiful  impression,  with  margin,  framed.  35.00 

128  Philipp  Mercier,  the  Painter,  Mezzotint  After  Himself 

Fine  impression  with  margin.    10.00 

Antonio  Fantuzzi,  called  da  Trento,  1508-1550  (about) 

129  Nude  Man,  Seated  in  a  Landscape 

B.  X  13 

Wood-cut  in  chiaroscuro  from  2  plates,  after  Parme- 
giano.  20.00 


Fraconard 


38 


No.  130 


Jean  Honore  Fragonard,  1732-1806 

130  Two  Women,  Playing  With  a  Child,  Original  Draw- 
ing 

Bold  and  characteristic  sketch,  from  the  collection 
Baron  Roger  de  Portalis  ;  6>)4  in.  high,  Sjs  in.  wide. 
See  reproduction,  page  38.  250.00 

131  Female,  Allegorical  Figure,  Seated  on  Clouds,  With 
Angels 

Clever  and  1)old  sketch,  in  l^lack  chalk  and  sepia. 

10^2  in.  wide,  7-;4  in.  high.  200.00 


Thomas  Frye,  1710-1762 

132    Head  of  a  Man,  in  Life-size,  Mezzotint 

Smith  14 

Fine  proof,  with  margin.    Framed.  45.00 


Thomas  Gainsborough,  1724-1788 

133    Portrait  of  a  Young  Lady,  Original  Drawing 

Lovely  charcoal  sketch  with  delicate  water-coloring, 
signed :  Thos.  Gainsborough. 

65/s  in.  high,  4^  in.  wide.  150.00 


Aart  van  Gelder,  1645-1727 

134  The  Good  Samaritan  With  His  Wife  and  An  Angel 

Bold  pen  and  sepia  drawing  in  Reml)randt's  manner.  75.00 

135  Joseph  Inquiring  For  His  Brethren 

Same  in  stvle  and  dimensions  as  the  preceding  item. 

8  in,  high,  12)/;  in.  wide.  75.00 


-  James  Gillray,  1757-1815 

136    L'Enfant  Trouve,  After  Lavinia  Countess  Spencer 

Exquisite  stipple  engra\-ing  in  l)rown,  with  full  mar- 
gin. 60.00 

39 


Glockenton 


No.  137 


Monogramist  A.  G.  (Albert  Glockenton) 
End  of  XVth  Century 

137  The  Capture  of  Christ. 

Bartsch  5 

Very  fine  impression.    Collection  I  lefner  v.  Alteneck. 

See  reproduction.  50.00 

138  Christ  Crowned  With  Thorns 

Bartsch  8 

Fine  early  impression.  30.00 

Hendrick  Goltzius,  1558-1616 

139  The  Adoration  of  the  Shepherds 

Bartsch  21 

The  unfinished  plate.  l)eautiful  impression  of  the  sec- 
ond state,  with  the  date  1615.  12.00 

140  Christ  Bearing  the  Cross,  from  the  Passion  Set 

Bartsch  35 

Brilliant  impression.  10.00 

40 


141  Henry  IV,  King  of  France 

Bartsch  173 

Capital  plate,  in  good  impression  of  the  third  state. 
\>ry  rare.  "  50.00 

142  Portrait  of  an  Unknown  "God  verzacht"  1582 

Bartsch  206 

Brilliant  impression,  see  re])ro(luction.  20.00 

143  The  Goddess  of  Night 

Bartsch  237 

A\\^od-cut  in  ehiaroseuro  from  three  plates,  o\  al.  25.00 

144  The  Sorcerer 

Bartsch  238 

Same  as  the  preceding  item  ;  with  full  margin.  25.00 


41 


i 


146    The  Triumph  of  Galathea,  Original  Design  for  the 
Engraving  After  Raphael 

Pen,  in  red  ink  and  India  ink  wash. 

21  in.  higli,  17  in.  wide.  35.00 


School  of  Goltzius  (Matham  or  Saenredam) 

147    Sketch  With  Three  Young  Women 

Spirited  l)lack  chalk  drawing"  on  greenish  paper. 

Sji  in.  high.,  4'/.  in.  wide.  20.00 


Jan  van  Goyen,  1596-1656 

148  Landscape,  Original  Drawing,  Signed 
6  in.  high,  lO^^s  iii-  wide. 

See  reproduction.  90.00 

149  Young  Woman,  Standing 

Charming-  pencil  drawing,  5  in.  high,  3^4  in.  wide.  55.00 

42 


Grateloup  No.  150 

Jean  Baptiste  Grateloup,  1735-1817 

150  Portrait  of  J.  B.  Rousseau,  After  Aved 

Miniature   engraving  in  an   impression  of  greatest 
1)eauty,  on  India  paper.    See  reproduction.  30.00 

Valentine  Greene,  1739-1813 

151  Joseph  Carreras 

Mezzotint  after  (i.  Kneller,  good  impression.  10.00 

Alexander  van  Haecken,  1735 

152  Laurentius  Delvaux,  the  Sculptor 

Mezzotint  after  J.  Wood. 

Beautiful  impression  in  perfect  condition.  15.00 

43 


Wolf  Ruber,  1480-1544 

153  St.  Jerome  in  the  Desert,  Original  Drawing 

Pen  and  white  high-hghts  on  paper  gronnded  in  greyish 
brown.    A  drawing  of  first  importance. 

in.  high,  6-)^  in.  wide.  450.00 

William  Humphrey,  1740-1795 

154  Madame  Du  Barry,  Mezzotint  After  B.  Wilson 

Smith  8 

Proof  l)efore  the  letter,  from  the  Lanna  Collection.  35.00 


John  Baptist  Jackson,  1701-1754 

155    Portrait  of  Algeron  Sydney 

Wood-cnt  in  Cdiiaroscnro  from  three  plates. 


C.  Jegiier 


No.  156 


20.00 


Christoffel  Jegher,  1620-1670 
156    Silenus  Supported  by  Satyrs 

Magnihcent  wood  cnt  after  Rubens.     Collection  v. 
Baldinger. 

See  re])roduction.  35.00 

44 


157    Hercules  Conquering  Envy 

Same  as  the  preceding  item,  superb  impression.  40.00 


Joseph  von  Keller.   Born  1811 

158    Madonna  di  San  Sisto,  After  Raphael 

Third  trial  proof,  not  quite  finished,  signed  and  in- 
scribed by  the  artist,  magnificent  impression.  65.00 


Hans  Sebald  Lautensack,  1524-1564 

159    Landscape  With  a  Town  and  Castle,  1553 

Bartsch  37 

BrilHant  impression,  from  the  Lanna  Collection. 

See  reproduction.  45.00 

45 


160  Landscape  With  a  Mediaeval  City,  1554 

Bartsch  38 

Beautiful  impression.  35.00 

161  Temptation  of  Christ,  1559 

Bartsch  47 

Fine,  very  dark  impression.  35.00 

162  Large  Landscape  With  Flight  Into  Egypt,  1558 

Bartsch  56 

Superb  impression.  45.00 

Pierre  Adrien  Lebeau,  1776 

163  Portrait  of  Madame  Dugazon 

Superl)  and  (lecorati\'e  little  ])rint,  with  margin.  12.00 

Johann  Friedrich  Leonart,  1633-1680 

164  Isabella  van  Assche,  After  Van  Dyck 

Andresen  204 

One  of  the  earliest  Mezzotints. 

See  reproduction.  15.00 


lii  t'iaiEZ  33QMX  ISABELLA  V?sJ^   ASSCHK  \':X0R1S  A,ViP  . 
CI  VB-BIS  BBAOC  ELI-ENSIS.  ■ 


Leonart 


No.  164 


46 


I 


Ottavio  Leoni  No.  165 

Ottavio  Leoni,  1574-1628 

165  Portrait  of  Cardinal  Seni,  Original  Drawing 

Black  and  white  chalk  on  greenish  paper.  Collection 
Mayor. 

See  reproduction.  90.00 

Lucas  van  Leyden,  1494-1533 

166  Adam  and  Eve,  1529 

Bartsch  3 

Good  impression  of  the  first  state  on  paper  with  the 
Gothic  P. 

Collection  J.  S.  Morgan.  40.00 

167  Adam  and  Eve 

Bartsch  10 

Exceedingly  fine  impression,  from  the  same  collection. 

See  reproduction,  page  49.  120.00 

168  The  Wife  of  Potiphar  Accusing  Joseph 

Bartsch  21 

Impression  of  the  greatest  l)rilhancy  on  i)aper  with 
the  Gothic  P.  Collections  H.  J.  Brooke  and  [.  S. 
Morgan.  '  '  70.00 

47 


Lucas  van  Levden 


No.  169 


169  David  Playing  Before  Saul 

Bartsch  27 

Fine  impression  on  Taper  with  the  (jothic  P. 

j.  S.  Morgan  collection.  200.00 

170  David  in  Prayer,  1520 

Bartsch  29 

luching  on  iron,  very  good  impression.  20.00 


171  The  Visitation 

Bartsch  36 

Very  good  impression,  duplicate  from  the  Berhn  Mu- 
seum. 20.00 

172  The  Virgin  and  Child  on  a  Crescent 

Bartsch  81 

Fine  impression,  very  rare.    Collection  J.  S.  Morgan.  75.00 

173  Mahomet  and  the  Monk  Sergius,  1508 

Bartsch  126 

Lucas'  first  dated  plate,  fine  delicate  impression  from 

the  same  collection.  150.00 


Lucas  van  Leyden 


49 


No.  167 


i 


Lucas  van  Leydex  No.  174 


174  The  Promenade 

Bartsch  144 

Impression  of  the  greatest  l)rinicincy. 

Collections  H.  j.  Brooke,  H.  \\>])er,  J.  S.  Ah^rgan. 

See  reprockiction.  125.00 

175  The  Self  Portrait  With  the  Skull 

Bartsch  174 

V^ery  good  impression,  rare.  45.00 

Charles  Louis  Lingee.    Born  1753 

176  Portrait  of  Mile,  de  Rancourt,  Actress  of  the  Com- 
edie  Frangaise.  After  Sigm.  Freudeberg  and  J.  M. 
Moreau  le  Jeune 

IJeautifiil  and  decoratix  e  engra\-ing.  16.00 

30 


Joh.  Lingelbach,  1625-1687 
177    A  Group  of  Horsemen  and  Ruins,  Original  Drawing 

Pen  and  wash,  4-^4  in.  high,  5 >^  in.  wide. 


15.00 


Jan  Livens,  1607-1663 
178    Portrait  of  an  Old  Man,  Original  Drawing 

Sepia,  India  ink  and  light  coloring. 
9y^  in.  higli,  7 in.  wide. 


75.00 


Giuseppe  Longhi,  1766-1831 

179  Lo  Sposalizio,  Line  Engraving  After  Raphael,  Milan, 
1820 

Capital  plate,  first  state  on  India  paper. 
One  of  the  hnest  line-engravings,  in  superl)  impres- 
sion. 60.00 

180  The  Vision  of  Ezekiel,  After  Raphael,  Line  Engraving 
First  state,  with  scratched  artist's  name. 

From  the  Onandt  Collection.    \'ery  rare.  55.00 


Claude  Lorrain 


No.  183 


51 


181    Mary  Magdalen  in  the  Desert,  After  Correggio 

Proof  before  the  letters,  also  one  of  the  most  famous 
line-engravings,  A  ery  rare.  70.00 


Constant  Louis  Ant.  Lorichon.    Born  1800 

182  The  Madonna  Bridgewater,  Line  Engraving  After 
Raphael 

Epreuve  de  remarque  ;  very  beautiful  and  rare.  30.00' 

Claude  Lorrain,  1600-1682 

183  The  Flight  Into  Egypt 

R.  D.  1 

Superb  impression  of  the  second  state  of  four,  very 
rare. 

See  reproduction,  page  51.  35.00 

184  The  Apparition 

R.  D.  2 

Fine  impression  of  the  third  state,  delicately  etched.  30.00 


Eduard  Mandel.    Born  1810 

185    The  Madonna  Colonna,  Line-Engraving  After 
Raphael 

Fine  open  letter  proof,  with  full  margins,  framed.  25.00 


186    Portrait  of  a  Young  Man  (Raphael) 

Finished  trial  proof,  framed. 

52 


30.00 


A  ND  R 1 : A  M  A  N  T  EG N A 


No.  188 


Andrea  Mantegna,  1431-1506 

187    The  Battle  of  Sea  Gods  (The  right  portion  of  a  frieze) 

Bartsch  17 

Very  fine  ini])ression,  in  perfect  condition.  250.00 

183    The  Bacchanale  With  Silenus 

Bartsch  20 

Fine  imj)ression  of  the  original  plate. 
r3uplicate  of  the  British  Mnsenm. 

See  reprodnction.  350.00 

189    The  Same,  The  Close  Copy,  which  Ottley  considers 
the  earlier  Original 

Hind  2- 

Superl)  early  impression  in  greenish  grey  ink,  slightly 
repaired.  Impressions  of  the  quality  of  this  plate  are 
of  the  utmost  rarity.   Collection  Junius  S.  Morgan.  650.00 


School  of  Mantegna : 

190  Christ  Descending  Into  Hell 

Bartsch  5 

Superl)  early  impression,  somewhat  cut  and  repaired. 
Collection  Junius  S.  Morgan.    See  reproduction.  500.00 

191  The  Senators  (From  the  Triumph  of  Caesar) 

Bartsch  11 

Good   impression   in   brown   ink.     Collection   J.  S. 
Morgan.  50.00 

192  Soldiers  Carrying  Trophies  (Triumph  of  Caesar) 

Bartsch  14 

The  reversed  copy  of  Bartsch  13  with  the  pilaster 
added  ;  l)eautiful  early  impression.  Collection  J.  S. 
Morgan.  75.00 


Robert  Sam.  Marcuard,  1751-1792 
Pupil  of  Bartolozzi 

193  Kronos  and  Rhea,  Stipple  engraving,  printed  in  brown 
Beautiful  impression,  with  full  margin.  30.00 

194  Cupid  and  Psyche,  1781 

Lovely  stipple  engraving,  printed  in  1)rown,  margin.  30.00 


Antoine  Masson,  1636-1700 

195    Louis  Abelly,  Bishop  of  Rodez 

R.  D.  8 

Fine  impression,  with  margin.  25.00 

55 


A.  Masson 


No.  196 


196  Guillaume  de  Brisacier  (The  Grey-haired  Man) 

R.  D.  15 

Good  impression  of  the  fourth  state,  with  margin. 

See  reprochiction.  75.00 

Jacob  Matham,  1571-1631 

197  Mythological  Scene,  Original  Drawing 

Pen  on  Vehum,  signed,  design  for  an  engraving. 
7Yx  in.  high,  Wf^  in.  wide. 

See  reproduction,  page  57.  95.00 

56 


Claude  Mellan,  1598-1688 

198  Henri,  Due  de  Montmorency 

Fine  early  impression,  w  ith  margin.  10.00 

199  Anna  Maria  Vajani,  Paintress 

Montaiglon  256 

Good  impression  of  the  second  state,  with  address  of 
Odieuvre. 

See  reproduction,  page  58.  8.00 

Willem  van  Mieris,  1635-1681 

200  Young  Woman  With  a  Parrot,  Original  Drawing 

Bhick  chalk  on  blue  paper. 

8J4  in.  high,  jy.  in.  wide.  35.00 


57 


Mellan  No.  199 

Jan  Miense  Molenaer,  1600-1668 

201  A  Group  of  Drinking  Peasants,  Original  Drawing 

Black  and  white  chalk  en  blue  |)a])er. 

105/8  in.  hii^h,  16^8  in.  wide.  75.00 

202  Two  Sketches  of  a  Peasant,  on  one  sheet,  Original 
Drawing 

Spirited  design  in  black  and  while  chalk  on  brown 
paper.    5«>4  in.  high,  AJi  in.  Avide.  20.00 

Benedetto  Montagna.    Active  between  1500  and  1540 

203  Young  Man  Seated  Beside  a  Palm  Tree 

Bartsch  16 

Good  later  impression,  the  address  of  (kiidotti  erased. 
Collections:  Count  linzenberg  and  Mascha.  24.00 

Monogramist  F.  G.  (Italian  of  the  XVIth  Century) 

204  Two  Cupids  Playing  With  Lions 

Bartsch  IX,  p.  27,  8,  After  Raphael 

Collections:  (iawet  and  Rechber^er.    Rare.  45.00 


1 


Monogramist  H.  S.  E.  (German  XVIth  Century) 

205  Upper  Part  of  a  Dagger-hilt,  with  Lucretia 

Pass.  6 

ILxtreinely  rare,  from  the  Lanna  collection.  16.00 

Monogramist  M.  Z.  (Zagel,  Zasinger)  German.  End 

of  15th  Century 

206  Solomcn,  Adoring  the  Idol 

Bartsch  1 

(jood  early  impression.    Collection  Dax'idsobn  ;  rare.  55.00 

207  The  Martyrdom  of  St.  Sebastian 

Bartsch  4 

Fine  impression.    Collection  Peltzer.  25.00 

Raphael  Morghen,  1758-1833 

208  The  Transfiguration,  Line  Engraving  After  Raphael, 
1811 

Capital  plate,  impression  of  supreme  beauty  on  India 
Paper,  first  state.  90.00 

209  The  Madonna  Delia  Sedia,  Line  Engraving  After 
Raphael 

l^eautiful  impression.  16.00 

210  The  Madonna  del  Granduca,  1823 

Proof  before  the  letter,  x  ery  rare.  18.00 

Jean  Morin,  1600-1666 

211  Michel  de  Marillac 

R.  D.  66 

Fine  impression,  with  margin.  20.00 

George  Morland,  1763-1804 

212  Watering  the  Cart  Horse.  Mezzotint  engr.  by  J.  R. 
Smith 

Beautifully  printed  in  C(jl()rs,  no  margin. 
Duplicate  from  the  collection  of  the  late  [.  P.  Mor- 
gan. 200.00 

213  Girl  with  Pigs,  Mezzotint,  engr.  by  William  Ward 

(  )pen    letter   proof,    with    margin,    tine  impression, 
framed.  75.00 

59 


Christian  Fred.  Mueller,  1782-1816 

214    The  Sistine  Madonna,  After  Raphael 

One  of  the  masterpieces  of  line  -engTci\'nig',  ni  the  un- 
finished trial  proof  impression,  ])efore  the  halo. 
Only  very  few  impressions  known.  400.00 


Christoph  Murer,  1558-1614 
(Famous  Swiss  Glass  Painter) 

215    Orpheus,  Playing  to  the  Animals 

Fine  pen  and  India  ink  drawing. 

Sj/g  in.  high.  3j.s  in.  wide.  70.00 


Robert  Nanteuil,  1630-1678 

216  Anne  of  Austria,  Queen  of  France 

R.  D.  23 

Second  state,  engr.  1666,  one  of  the  large  plates,  good 
impression,  closely  trinmied,  rare.  55.00 

217  Antoine  Barrillon  de  Morangis 

R.  D.  31 

Only  state,  brilliant  impression,  with  Yz-xw.  margin.  75.00 

218  Bochart  de  Saron 

R.  D.  42 

Only  state,  fine  im])ressi()n,  one  small  defect  repaired.  20.00 

219  Frederick  Bosquet,  1671 

R.  D.  44 

Fine  impression  of  the  second  state,  small  margin.  50.00 

220  Victor  Le  Bouthillier,  Archbishop  of  Tours 

R.  D.  54 

Good   impression  of  tlie   second   state,   with  small 
margin.  30.00 

221  Jacques,  Marquis  de  Castelnau,  1658 

R.  D.  58 

Good  impression  with  margin.  25.00 

60 


Nanteuil  No.  222 

222  Alexandre  de  Seve 

R.  D.  82 

Brilliant  impression  of  the  g'reatest  l)eauty. 

See  Reproduction.  100.00 

223  Bernard  de  Foix  de  la  Valette,  Due  d'Espernon 

R.  D.  91 

Superl)  impression  of  the  hrst  state,  with  margin. 
Very  rare.  100.00 

224  Hippolyte  Ferret,  1669 

R.  D.  95 

Exceedingly  fine  impression  of  the  first  state  with 
wide  margin.  40.00 

225  Jean  Fronteau 

R.  D.  99 

After  Cabouret,  first  state,  1663. 

One  of  the  small  portraits,  with  margin.  15.00 

61 


Naxteuil 


No.  230 


226  Louis  Hesselin 

R.  D.  110 

First  state,  engr.  1658. 

Brilliant  impression,  with  wide  margin.  60.00 

227  Michel  le  Masle 

R.  D.  126 

First  state,  1658. 

Impression  of  the  greatest  brilliancy,  with  margin.  80.00 

228  Charles  Maurice  Le  Tellier 

R.  D.  138 

Only  state,  1663. 

Beautiful  im])ression,  with  margin.  60.00 

229  The  Same 

R.  D.  139,  1664 

Fine  impression  of  the  fourth  state,  with  wide  margin.  75.00 

230  Jean  Loret,  1658 

R.  D.  150 

Capital  plate  in  fine  impression  of  the  third  state. 
Very  rare. 

See  reproduction.  55.00 

231  Francois  Mallier  du  Houssay 

R.  D. 167 

Fine  impression  of  the  second  state. 

Collection  A.  Firmin-Didot.  43  00 

62 


232  Cardinal  Mazarin 

R.  D.  187 

First  state. 

Capital  plate,  exceedingly  rare  in  this  state. 

(xood  impression,  1)ut  repaired  .  30.00 

233  Francois  Theodore  de  Nesmond 

R.  D.  202 

Superlj  impression  of  the  second  state  (of  fonr)  with 

the  date  1663,  with  margin.  60.00 

234  Nicholas  Potier  de  Novion 

R.  D.  206 
Second  state  of  fonr,  dated  1657. 

Good  impression,  with  small  margin.  40.00 

235  Charles  Paris  d'Orleans  Longueville,  Comte  de  St. 
Paul 

R.  D.  219 

Brilliant  impression,  with  margin. 

See  reproduction.  150.00 


Nanteuil 


63 


No.  235 


Ogborne 


No.  236 


John  Ogborne,  1725-1795 
236    Mrs.  Jordan  in  the  Character  of  the  "Country  Girl" 

Stipple  engraving  after  Ronmey.  Entirely  printed  in 
colors.  ( )ld  Margin  restored.  Du])licate  from  the 
Collection  of  the  late  J.  P.  Ahjrgan. 

See  reprodncti(Mi.  400.00 


64 


Adrian  van  Ostade,  1610-1685 

237  The  Knife-thrust,  Etching 

Bartsch  18 

Good  impression  with  margin.  20.00 

238  The  Singers  at  the  Window 

Bartsch  19 

Very  line  impression.  18.00 

239  Interior  of  a  Grange,  With  Peasants,  Original  Draw- 
ing 

Characteristic  design  in  black  and  white  chalk  on  blue 


paper;  8%  in.  high,  7j/s  in.  wide. 
See  reproduction. 


150.00 


Jean  Parrocel,  1648-1704 
240    A   Sheet   With   Sketches   of   Shooting   and  Fallen 
Soldiers 

Bold  and  characteristic  sanguine  drawdng. 

Ii/i  in.  high,  10  in.  wide.        "  20.00 


O  ST ADR 


65 


No.  239 


Peregrino,  Niello 


No.  247 


Charles  Parrocel,  1688-1752 

241  Don  Quixote  and  Sancho 

Spirited  sanguine  drawing. 

lOys  in.  high,  Uys  wide.  30.00 

Crispin  de  Passe,  1540-1629 

242  The  Ascension  of  the  Virgin,  Original  Drawing 

Pen  and  India  ink,  from  the  Lanna  Collection. 

Sys  in.  high,  2^  in.  wide.  20.00 

Jean  Baptiste  Joseph  Pater,  1695-1736 

243  Young  Man,  Drapery  Study  in  Red  Chalk 

Exquisite  and  highly  characteristic  drawing. 

6  in.  high,  4%  in.  wide.  450.00 

Georg  Pencz,  1500-1550 

244  Jason  and  Medea,  1539 

Bartsch  71 

Very  fine  impression.    Collection  J.  A.  Boerner.  8.00 

245  The  Triumph  of  Bacchus 

Bartsch  92 

Lovely  frieze  engraving,  I  j.s  in.  high,  11  in.  wide.  16.00 

246  The  Six  Triumphs  of  Petrarca 

Bartsch  117-122 

Complete  set  of  six  engravings  in  1)rilliant  impres- 
sions. 50.00 

66 


Port AIL 


No.  248 


Peregrine  da  Cesena  (Italian  XVth  Century) 

247  Niello:  The  Triumph  of  Neptune 

Bartsch  XIII,  208  Duch.  214 

Superb  impression,  of  extreme  rarity. 

See  reproduction,  page  66.  320.00 

Andre  Portail.    Died  1760 

248  Young  Girl,  Seated  in  a  Chair,  Original  Drawing 

Masterly  French  design,  in  l)lack  and  red  crayons. 
S}i  in.  high,  6  in.  wide. 

See  reproduction  (fox  stains  shown  there  are  almost 
invisible  on  the  drawing).  500.00 

Primitive  German  Artist.    About  1400 

249  St.  John,  the  Evangelist,  Original  Drawing 

In  rich  old  coloring,  on  paper  with  the  Bull's  head 

water-mark,  from  the  Collection  \V.  Roller. 

8  in.  high,  5}i  in.  wide.  150.00 

Richard  Purcell.    Born  1736 

250  Caroline,  Duchess  of  Marlborough,  Mezzotint  After 
Reynolds 

Good  impression,  with  margin.    Framed,  30.00 

67 


68 


Marc-Antonio  Raimondi.    Born  about  1475-1534 

251    Adam  and  Eve,  Driven  from  Paradise,  After  Michel- 
Angelo 

Bartsch  2 

Siiperl)  early  impression,  \  ery  rare. 

Collection  J.  S.  Morgan.  150.00 


252    The  Lord  Ordering  Noah  to  Build  the  Ark  (Raphael) 

Bartsch  3 

Beautiful  impression  of  the  first  state. 

Collection  J.  S.  Morgan.      ,  175,00 


253    The  Slaughter  of  the  Innocents  (Raphael) 

Bartsch  18 

The  plate  with  the  Chicot.     Fine  early  impression 
repaired.    See  reproduction,  page  68.  250.00 


254    The  Last  Supper  (Raphael) 

Bartsch  26 

Impression  of  the  greatest  beauty,  extremely  rare. 

See  reproduction,  page  70.  400.00 


255    St.  Ceciha  (Raphael) 

Bartsch  116 

Early  impression,  repaired.  50.00 


256    Dido  (After  Raphael,  the  Landscape  After  Leyden) 

Bartsch  187 

Early  impression,  Collection  |.  S.  Morgan,  of  greatest 
rarity.  150.00 

69 


70 


1 


257    The  Judgment  of  Paris  (Raphael) 

Bartsch  245 

Capital  plate  in  very  good  impression  of  the  first 
state,  invisibly  repaired.  250.00 


258    Mount  Parnassus  (Raphael) 

Bartsch  247 

Early,  very  beautiful  impression,   few  small  tears 
repaired.  275.00 


259    The  Young  and  the  Old  Bacchant 

Bartsch  294 

Extremely  fine  impression  ;  very  rare.    See  reproduc- 
tion, page  72. 

Collections  :  Liphart  and  J.  S.  Morgan.  200.00 


260    A  Faun  Teaching  a  Little  Boy  to  Play  the  Flute 

Bartsch  296 

Superb  early  impression. 

Collection  Lord  Bathurst  and  J.  S.  Morgan  125.00 


261    Apollo  of  the  Belvedere 

Bartsch  331 

Good  early  impression. 

Collection  Junius  S.  Morgan  40.00 


262  Apollo 

Bartsch  334 

Beautiful  early  impression. 

From  the  same  collection.  50.00 

71 


Raimondi  ^  No.  259 

263  The  Three  Graces 

Bartsch  340 

\'cry  l)eautiful  early  impression.  75.00 

264  Mars,  Venus  and  Cupid  (After  Francia  or  Mantegna) 

Bartsch  345 
Beautiful  early  impression  of  the  2n(l  state. 
Dated  1508.  90.00 

265  Neptune,  Appeasing  the  Tempest  ("Quos  Ego") 

Bartsch  352 
Beautiful  early  impression.    \'ery  rare. 

Collection  j.  S.  Morgan.  125.00 

266  Trajan,  between  Rome  and  Victory 

Bartsch  361 

According  to  Bartsch,  one  of  the  finest  pieces  of  Marc 
Antonio.  Beautiful  impression,  with  the  signature  of 
Mariette.  100.00 

72 


Raimondi 


No.  267 


KS. 


267  The  Bent  Stick  (After  Francia) 

Bartsch  369 

One  of  the  exquisite  and  x  ery  rare,  small,  early  work 
Good  impresion.    See  reproduetion.  75.00 

268  The  Seven  Virtues 

Bartsch  386-392 

Complete  set  in  uniform  impressions  of  the  greatest 
beauty.  Seven,  300.00 

269  Seven  Copies,  after  Diirer's  Life  of  the  Virgin 

Bartsch  621,  25,  26,  27,  30,  31,  37 

Good  early  impressions.  Each,  10.00 

73 


Rembrandt 


No.  270 


Rembrandt  Harmensz  van  Rijn,  1606-1665 

270  The  Triumph  of  Mordecai 

Bartsch  40 

Beautiful  etcliini;-  in  ^■ery  good  impression. 

See  reproduction.  95.00 

271  The  Circumcision,  1654 

Bartsch  47 

Very  hne  impression  of  tlie  first  state,  with  margin.  45.00 

272  Christ  Disputing  with  the  Pharisees 

Bartsch  68 

l^^ine  inipression  of  the  second  state.  45.00 

273  Christ  Heahng  the  Sick 

Bartsch  74  ( Fourth  state) 
The  plate  retouched  by  Captain  Baillie. 
Superl)  impression  on  Japan  paper,  with  margin. 
Collection  Camesina,  1816.    V^ery  rare.  225.00 

74 


Rembrandt 


No.  274 


274  Christ  on  the  Cross 

Bartsch  80 

Fine  impression;  rare.     See  rei)r( )(luctic)n.  65.00 

275  The  Baptism  of  the  Eunuch,  1641 

Bartsch  98  ( (  )nly  state  ) 
Fine  impression  of  the  Hghtly  etched  plate.  75.00 

276  The  Death  of  the  Virgin 

Bartsch  99 

Brilliant  impression  of  the  second  state ;  in  perfect 
condition. 

Collections  Bruchman  and  Hebich. 

See  reproduction,  page  76.  325.00 

75 


^ .} 


Rembrandt  No.  276  ' 

277  The  Four  Orientals 

Bartsch  118 

V ery  fine  impression. 
Collection  Weigel.  40.00 

278  Nude  Woman,  with  her  feet  in  the  water,  1658 

Bartsch  22 

Extremely  fine  impression,  on  thin  India  paper.  90.00 

279  Jan  Antonides  van  der  Linden 

Bartsch  264 

Good  impression,  with  margin.  95.00 

76 


280  Janus  Silvius,  1633 

Bartsch  266 

Superb  impression.    Very  rare  in  such  quality.  125.00 

281  Menasseh  ben  Israel,  1636 

Bartsch  269 

Very  good  impression,  with  margin. 

Collection  v.  Baldinger.  50.00 

282  Head  of  an  Old  Man 

Bartsch  315 

Very  delicately  etched.    Fine  impression,  with  small 
margin.    Collection  Rumpf.  30.00 

283  Rembrandt's  Mother 

Bartsch  351 

Lovely  little  plate,  signed  and  dated  1633 

See  reproduction.  40.00 


School  of  Rembrandt 

284    Rest  in  Egypt  (Original  Sepia  drawing) 

Very  much  in  Rembrandt's  style. 

SYs  inches  high,        inches  wide.  45.00 


Remuraxdt  No.  283 


77 


RlBERA 


No.  285 


Joseph  Ribera,  called  II  Spagnoletto,  1588-1656 

285  Satyr,  Punished  by  Cupid  (Etching) 

Bartsch  12 

Good  later  impression  ;  rare. 
Collections  Li]:)hart  and  Drugulin. 

See  reproduction.  25.00 

School  of  Rubens,  Flemish,  XVIIth  Century 

286  Angels  appearing  to  a  kneeling  group  of  Nobles 

Su|)crl)  drawing  in  red  and  ])lack  chalk. 

83/8  inches  high,  12^  inches  wide.  75.00 


287 


Jacob  van  Ruysdael,  1628-1682 

Old  Mill  (Original  drawing) 

Charcoal,         inches  high,  8^8  inches  wdde. 


125.00 


78 


Salomon  van  Ruysdael,  1600-1670 

288    Landscape  with  Hay-barns  (Original  drawing) 

Charcoal,  very  characteristic  piece. 

inches  high,  S^.^  inches  wide.  60.00 


William  Wynne  Ryland,  1729-1783 

289  Penelope  (Stipple  engraving,  after  Angelica  Kauffmann) 

Superl)ly  printed  in  colors.    Small  margin.  175.00 

Herman  Saftleven,  1609-1685 

290  Shore  Landscape  (Original  drawing) 

Black  Chalk  and  Sepia. 

5^  inches  high,  \^y^  inches  wide.  75.00 


Pierre  Savart,  1750-1778 

291  Francois  Rabelais,  after  Sarrabat 

Miniatnrc  engra\  ing  of  great  ])eauty.  '  10.00 

292  Fenelon,  after  J.  Vivien,  1771 

Exquisite  miniature  portrait  engraving,  margin.  15.00 

293  Portrait  of  Bayle,  1774 

Same  as  the  preceding  item.  15.00 


Martin  Schongauer,  1445-1491 
294    The  Annunciation 

Bartsch  3 

One  of  the  lovehest  pieces  of  the  master.    Fine  deli- 
cate impression. 

Collection  J.  S.  Morgan.  250.00 

79 


295  Christ  on  the  Mount  of  Olives,  from  the  Passion  Set 

Bartsch  9 

Good  impression,  margin  restored.  75.00 

296  Christ  Bearing  the  Cross 

Bartsch  21  (The  large  plate) 
Capital  plate  in  superb  early  impression. 
Collection  H.  F.  Sewall.  2400.00 

297  St.  Thomas,  The  Apostle 

Bartsch  4 

Strong,  early  impression. 

Collection  J.  S.  Morgan.  90.00 

298  The  Lord  Enthroned 

Bartsch  70 

Fine  early  impression,  on  paper  with  the  Bull's  head. 
Same  collection  as  the  preceding  item.  175.00 


Aart  Schouman,  1710-1788 

299    Portrait  of  Louis,  Duke  of  Brunswick-Wolfenbuttel 

Original  wash  drawing,  signed  and  dated. 

10  inches  high,  65/^  inches  wide.  25.00 


C.  Kirkpatrick  Sharpe,  Engl.  School,  18th  Century 

300    Young  Nobleman,  with  a  Greyhound 

Delicate  water  color  drawing  in  the  style  of  R.  Cos- 
way.    97/8  inches  high,  6-?4  inches  wdde.  120.00 


Heinrich  Sintzenich,  1752-1812 
(Pupil  of  Bartolozzi) 

301    Frederick  William  II.,  King  of  Prussia  (Stipple  en- 
graving) 

(  )\  al,  with  full  margin.  15.00 

80 


John  Raphael  Smith 

81 


No.  306 


John  Smith,  1654-1719 

302  Phoebus  and  Leucothea 

Exquisite  little  early  mezzotint.  .  15.00 

303  Charles  I,  after  van  Dyck 

Beautiful  early  mezzotint.  framed  18.00 

304  Charles  II.,  after  Kneller 

Same  as  the  preceding  item.  framed  18.00 

305  The  Rt.  Hon.  Charles  Montague,  after  G.  Kneller 

Mezzotint,  margin  cut  on  three  sides.  framed  20.00 

John  Raphael  Smith,  1740-1801 

306  Lady  Warwick,  Mezzotint  after  Romney 

Scratched  letter  proof.  One  of  the  most  beautiful 
mezzotints.  InA-isibly  repaired  and  margin  restored 
on  three  sides.    See  reproduction,  page  81.  500.00 

307  An  Evening  Walk 

Delightful  stipple  engraving,  with  margin ;  colored 

by  hand.  150.00 


Virgil  Solis,  1514-1562 

308  Standard  Bearer  (Engraving  on  copper) 

Bartsch  248 

Very  fine  impression.  10.00 

309  Circular  Allegorical  Design  (Fall  of  Phaeton?)  * 

Pen  drawing  with  blue  wash. 

Diameter  Sfg  inches.  35.00 


Peter  Soutman,  1580-1650 

310    Emperor  Frederick  IV  of  Germany  (Original  Drawing) 

Charcoal,  India  Ink  and  Water-color. 

Design  for  the  engraving  by  P.  van  Sompel,  with  the 

print.  120.00 


82 


Rudolf  Stang.    Born  1831 

311  Lo  Sposalizio,  after  Raphael  (Line-Engraving) 

Epreiu  e  de  Remarque  :  The  flower  on  the  staff  of  Jo- 
seph left  white.    Impression  of  the  greatest  beauty.  60.00 

Tobias  Stimmer,  1539-1587 

312  The  Angel  Appearing  to  the  Shepherds  (Original  drawing) 

Chiaroscuro  effect.    See  reprochiction. 

7y\  inches  high,  5^^  inches  wide.  *  120.00 

313  BHnd  Musicians  (Original  drawing) 

In  Chiaroscuro  manner,  I 'en  and  India  Ink  with  white 
high-hghts  on  dark  grey  paper. 

6^  inches  high,  7j/ls  inches  wide.  90.00 

314  Design  for  a  Coat  of  Arms 

Pen  (h-awing,  hexagonal,  with  shght  red  coloring. 
4^  inches  high,  ZS/g  inches  wide. 

Collection  Lanna.  .  ,  50.00 


Tobias  Stimmer 

83 


No.  312 


SuVDERILOliF  •  No.  316 

Jonas  Suyderhoef,  1600-1669 

315  Jacob  Hollebeek 

Wussin  39 

(joocI  impression  of  the  second  state.  18.00 

316  Conrad  Victor  van  Aken,  after  Frans  Hals 

Wussin  91 

Good  impression,  only  state. 

See  reproduction.  30.00 

Paolo  Toschi,  1788-1851 

317  Madonna  della  Tenda,  1832  (Line-Engraving,  after 

Raphael) 

Beautiful  impression,  open  letter  proof.  24.00 

318  Lo  Spasimo  di  Sicilia  (Christ  bearing  the  Cross,  after 

Raphael) 

Proof  impression  of  supreme  1)eauty.  unique  in  this 
state  and  undescri1)ed  in  Appel.  75.00 

84 


Cornelis  Troost,  1697-1750 


319    The  Bust  of  J.  Campo  Weyerman,  surrounded  by- 
Cupids 

Original  sanguine  drawing,  signed. 
Collections  Pinto  and  Habich. 

7y^  inches  high,  6  inches  wide.  65.00 


Unknown  Italian  Engraver  (XVIth  Century) 

320  Abraham's  Sacrifice 

Bartsch  XII,  22,  3 

Wood-cut  in  chiaroscuro  from  2  plates, 

after  Parmegiano.  20.00 

321  Charity 

Bartsch  VIII,  3 

Charming  Chiaroscuro  from  three  plates,  after  the 
same.  12.00 


Wallerant  Vaillant,  1623-1677 
(One  of  the  first  Mezzotinto  Engravers) 

322    Young  Man,  reading,  seated  before  the  statue  of  Cupid 

W.  21 

Early    mezzotint,    in    good    impression,    wath  wide 
margin.  .  20.00 


Esaias  van  de  Velde,  1590-1630 

323    A  Village  Street,  with  groups  of  talking  men  (Original 
Drawing) 

Exquisite  design  in  black  chalk. 

4^  inches  high,  6^  inches  wade.  60.00 

85 


J.  VAN  DE  VeLDE 


No.  324 


Jan  van  de  Velde,  1598-1679 

324  The  Star  of  the  Magi  (Engraving  in  Goudt's  manner) 

Andresen 

Charming-  night  piece  after  P.  Molyn.  Brilliant  im- 
pression of  the  first  state,  before  the  address  of 
''Visscher."    See  reproduction.  35.00 

325  Fire  (Ignis),  After  W.  Buytenweg 

Andresen  33 

Impression  of  the  first  state,  before  address  of  f.  C. 
Visscher.  '  15.00 

Dirck  Vellert  (Van  Staren),  Netherlands,  about  1500 

326  Temptation  of  Christ,  Engraving 

Bartsch  5  (1525) 
Good  impression;  rare.  25.00 

86 


Corn.  Vtssctier 


No.  331 


Agostino  de  Musis,  called  Veneziano,  1490-1540 

327  Hercules  and  Antheus 

Bartsch  347 

Beautiful  iui])ression,  before  the  retouches.  30.00 

Francois  Verdier,  1651-1730 

328  Biblical  Scene,  Original  drawing  in  black,  red  and 

white  chalks 

Collectious  F'eoli  and  Ivohert  lloe. 

5')4  iuches  high,  10)4  inches  wide.  20.00 

Nicolas  Verkolje,  1673-1746 

329  His  Self-Pcrtrait,  Original  drawing 

l->eautiful  design  in  India  Ink. 

10^  inches  high,  6j^2  inches  wide.  50.00 

Giuseppe  Nicolo  Vicentino  (Ital.,  XVIth  Century) 

330  Hercules  and  the  Lion 

Bartsch  VII,  17 

Wood-cut  in  Chiaroscuro,  from  two  plates. 

First  state,  very  rare.  75.00 

87 


Corn.  Visscher 


No.  332 


Cornells  Visscher,  1618-1658 

331  Head  of  an  Old  Woman,  Original  drawing,  signed 

Charcoal  on  Vellum.     See  reproduction,  page  87. 

4y^  inches  high,  4^  inches  wide.  90.00 

332  Portrait  of  Justus  van  Vondel,  Engraving 

D.  120  IV. 

Brilliant  impression.    See  reproduction  30.00 

333  Peter  Schrijver  (Scriverius),  after  Soutman,  1649 

W.  42 

Brilliant  impression  of  the  third  state.  75.00 

Joris  G.  van  Vliet.    Born  about  1610 

334  Lot  and  His  Daughters,  after  Rembrandt 

Bartsch  I 

Brilliant  impression  of  the  first  state,  l)efore  the  cross- 
hatchings  on  the  rock.    See  reproduction,  page  89. 
Collection  Camberlyn.  40.00 

Giovanni  Volpato,  1738-1803 

335  The  Stanzas  of  The  Vatican,  Line  engravings  after 

Raphael 

Coniplete  set  of  nine,  in  superl)  proof  impressions,  1)e- 
fore  the  lettering.  together  200.00 


J.  ( T.  VAN  X'lIET 


Nu.  334 


Martin  de  Vos,  1531-1603 

336    The  Fall  of  the  Giants,  Original  drawing 

Pen  and  India  ink,  signed. 

5%  inches  high,  378  inches  wide.  20.00 


William  Ward,  1765-1825 

337  The  Gamesters,  Mezzotint  after  Rev.  Peters 

Good  impression  with  margin.  framed  50.00 

338  Morning,  or  Thoughts  on  Amusement  for  the  Evening 

Charming  stipple  engra\'ing  after  Morhmd,  printed  in 
brown  ;  beautiful  impression  with  full  margin.  100.00 

89 


* 


339    Thoughts  of  Matrimony,  after  John  Raphael  Smith 

One  of  the  l()\'eliest  stipple  engravings,  colored  by 
hand,  old  full  margin  restored.  150.00 


340  The  Coquette,  also  known  as  the  "The  Cyprian  Votary" 

Charming  and  famous  stipple  engraving,  after  J.  R. 
Smith,  trimmed  to  the  oval,  printed  in  colors,  but 
touched  with  the  brush.  180.00 

341  Almeida,  Wm.  Ward  del.  et  sculp. 

Stipple  engraving,  printed  in  colors,  1)Ut  t(^uched  with 
the  ])rush,  small  margin.  Duplicate  from  the  collec- 
tion of  the  late  j.  P.  Morgan. 

See  reproduction,  page  91.  200.00 


Thomas  Watson,  1748-1781 

342    Henrietta,  Countess  of  Rochester 
Mezzotint,  after  P.  Lely 

One  of  the  Windsor  Beauties.    Beautiful  impression. 

framed  50.00 


343    Young  Girl,  reading.  Mezzotint,  after  G.  Schalken 

Proof  before  the  letter;  1)eautiful  impression.  20.00 


Antione  Watteau,  1684-1721 
(Attributed  to) 

344    Head  of  a  Boy,  Original  drawing 

Exquisite  design  in  red  and  ])lack  crayon. 

Oval  5}i  inches  high,  4/2  inches  wide.  150.00 

90 


William  Ward 


No.  34i 


J.  G.  Wille,  1715-1803 

345  Portrait  of  Christian  Woiif,  Prof,  of  Mathematics 

Charming  and  decorative  little  print  in  fine  impression. 

Wierix  Family.    About  1600 

346  Portrait  of  Philipp,  Prince  of  Orange 

Undescribed  print  in  an  impression  of  great  brilliancy. 


12.00 


15.00 


George  Andreas  Wolfgang,  1631-1716 
347    Judith  at  the  Tent  of  Holofernes 

One  of  the  earliest  Mezzotints  ;  very  rare.  15.00 


91 


i 


Jan  Wynants,  1525-1682 

348    Landscape,  Original  drawing 

Charcoal  and  wash,  10  inches  high,  13^^  inches  wide. 

See  reprodnction  below.  80.00 


Antonio  Maria,  Count  Zanetti  (Ital.  XVIIIth  Century) 

349  Young  Man,  standing,  after  Parmegiano,  1721 

Lovely  chiaroscuro  wood-cut  from  three  plates.  30.00 

Reiner  Nooms,  called  Zeeman.    Born  1612 

350  Seascape,  Etching 

Bartsch  37  I 

Good  impression,  before  the  address  of  Clement  de 
Jong-he.  10.00 


Jan  Wynants 


92 


No.  348 


1 


CHRONOLOGICAL  INDEX  (Arranged  in  Groups) 


I.    ENGRAVINGS  AND  ETCHINGS 

A.    German  and  Netherland  Masters  of  the  XVth  and  XVIth  Centuries 

Nos. 

Martin  Sclioni^auer  1445-1491  294-298 

Monogramist  A.  G.  (Glockenton)  End  of  XVth  Cent.  137-138 

Monogramist  M.  Z.  (Zasinger)  End  of  XVth  Cent.  206-207 

Albrecht  Diirer  1471-1528  93-112 

Lucas  van  Leyden  1494-1533  166-175 


The  Little  Masters 

Heinrich  Aldegrever 
Albrecht  Altdorfer 
Anonymous  Engravers 
Barthel  Beham 
Hans  Sebald  Beham 
Jacob  Bink 

Monogramist  H.  S.  E. 
Georg  Pencz 

Hans  Sebald  Lautensack 
Theodor  de  Bry 
Alaert  Claes 

Dirck  Vellert  (van  Staren) 
Wierix  Famil}^ 


1502-1562  1-3 

1488-1538  4-11 

XVIth  Century  14-16 

1502-1540  32-34 

1500-1550  35-45 

1490-1560  51-52 

XVIth  Century  205 

1500-1550  244-246 

1524-1564  159-162 

1528-1598  63-64 

1520-1555  80-81 

about  1525  326 

about  1600  346 


B.    Italian  Engravers 


Peregrino  da  Cesena  (Nielli) 

XVth  Century 

247 

Andrea  Mantegna 

1431-1506 

187-192 

Benedetto  Montagna 

1500-1540  (about) 

203 

Marc  Antonio  Raimondi 

1475-1534 

251-269 

Agostina  de  Musi  (Veneziano) 
Monogramist  F.  G. 

1490-1540^ 

327 

about  1537 

204 

Ugo  da  Carpi 

born  about  1486 

72-77 

Antonio  Fantuzzi,  da  Trento 

1508-1550 

129 

Unknown  Chiaroscuro  Engravers 

XVIth  Centurv 

320-321 

Gius.  Nicolo  Vicentino 

XVIth  Century 

330 

Bartolomeo  Coriolano 

1590-1649 

82 

Count  A.  M.  Zanetti 

1721 

349 

Dutch  Etchers  and  Engravers,  XVIIth  Century 

Cornelis  Bega  1620-1664  29-30 

Abraham  Blootelingh  1634-1685  54 

Cornelis  van  Dalen  1602-1664  83 

Claes  Corn.  Delff  died  1620  84 

Willem  Jacobz  Delff  1580-1638  85 

Anthony  van  Dyck  1599-1641  116-122 

Hendrick  Goltzius  1558-1616  139-144 

Christoffel  Jeghcr  1620-1670  156-157 


93 


Adrian  van  Ostade 

1610-1685 

Rembrandt  van  Rijn 

1606-1665 

270-283 

Jonas  Suyderhoef 

1600-1669 

315-316 

Wallerant  Vaillant 

1623-1677 

322 

Jan  van  de  Velde 

1598-1679 

324-325 

Cornelis  Visscher 

1618-1658 

Joris  G.  Van  Vliet 

born  1610 

334 

Reiner  Nooms,  called  Zeenian 

born  1612 

350 

D.    French,  German  and  Spanish  Engravers,  XVIIth  Century 


Jacques  Callot 

1592-1635 

66-68 

Gerard  Edelinck 

1640-1707 

125-126 

Job.  Friedr.  Leonart 

1633-1680 

164 

Claude  Gellee,  called  Le  Lorrain 

1600-1682 

183-184 

Antoine  Masson 

1636-1700 

195-196 

Claude  Mellan 

1598-1688 

198 

Jean  Morin 

1600-1666 

211 

Robert  Nanteuil 

1630-1678 

216-235 

J.  Ribera,  11  Spagnoletto 

1588-1656 

285 

Georg  Andreas  Wolfgang 

1631-1716 

347 

E.    Engravings  of  the  XVIIIth  Century 


Francesco  Bartolozzi 

1730-1813 

19-25 

Isaac  Beckett 

1653-1715 

26-27 

Louis  Marin  Bonnet 

1743-1793 

56 

M.  H.  Bounier 

1740-1814 

58 

H.  W.  Bunbury 

died  1811 

65 

Gilles  Demarteau 

1729-1776 

86 

John  Downman 

1769-1824 

91 

Richard  Earlom 

1728-1822 

123-124 

John  Fal:)er 

1684-1755 

127-128 

Thomas  Frye 

1710-1762 

132 

James  Gillray 

1757-1815 

136 

J.  B.  Grateloup 

1735-1817 

150 

Valentine  Greene 

1739-1813 

151 

Alexander  van  Haecken 

1735 

152 

William  Humphrey 

1740-1795 

154 

J.  B.  Jackson 

1701-1754 

155 

Pierre  Adrien  Le  Beau 

1776 

163 

Charles  Louis  Lingee 
Robert  S.  Marcuard 

l)orn  1753 

176 

1751-1792 

193-194 

George  Morland 
John  Ogborne 

1763-1804 

212-213 

1725-1795 

236 

Richard  Purcell 

l)orn  1736 

250 

William  Wynne  Ryland 

1729-1783 

289 

Pierre  Savart 

1750-1778 

291-293 

Heinrich  Sintzenich 

1752-1812 

301 

John  Smith 

1654-1719 

302-305 

John  Raphael  Smith 

1740-1811 

306-307 

William  Ward 

1765-1825 

337-341 

Thomas  Watson 

1748-1781 

342-343 

J.  G.  Wille 

1715-1808 

343 

94 


F.    Line-Engravers  of  the  Late  XVIIIth  and  Early  XlXth  Centuries 


A.  G.  L.  Boiicher-Desnoyer  1779-1857  87-89 

Joseph  von  Keller  born  1811  158 

C.  L.  A.  Lorichon  born  1800  182 

Giuseppe  Longhi  1766-1831  179-181 

Echiard  Mandel  born  1810  185-186 

Raphael  Morohen  1758-1833  208-210 

Christian  Friedr.  Mhller  1782-1816  214 

Rudolf  Stang-  born  1831  311 

Paolo  Toschi  1788-1851  317-318 

Giovanni  Volpato  1738-1803  335 


11.  DRAWINGS 

XVth  and  XVIth  Centuries 

Primitive  German 
Jost  Ammann 

Herri  met  de  Bles  (Blesius) 
Joerg  Breu 
Wolf  Huber 
Christ  Murer 
Virgil  Solis 
Tobias  Stimmer 
Luca  Cambiaso 
Domenico  Campagnola 
Dom.  Zampieri.  Domenichino 
Ottavio  Leoni 

XVIIth  Century 


Jac.  Adr.  Backer 

1608-1651 

17-18 

Corn.  Bega 

1620-1664 

28 

Abr.  Begeyn 

1630-1697 

31 

Nicolas  Berghem 

1620-1683 

49 

Leonard  Bramer 

1596-1674 

59 

Jan  Bronkhorst 

1648-1727 

62 

Cornells  Dusart 

1665-1704 

113-114 

Anthony  van  Dyck 

1599-1641 

115 

Aart  van  Gelder 

1645-1727 

134-135 

Hendrick  Goltzius 

1558-1616 

145-147 

Jan  van  Goyen 

1596-1656 

148-149 

Joh.  Lingelbach 

1625-1687 

177 

Jan  Livens 

1607-1663 

178 

Jacob  Matham 
Willem  van  Mieris 

1571-1631 

197 

1635-1681 

200 

Jan  Miense  Molenaer 

1600-1668 

201-202 

Adrian  van  Ostade 

1610-1685 

239 

Crispin  de  Passe 

1540-1629^ 

242 

School  of  Rembrandt 

about  1650 

284 

School  of  Rubens 

about  1640 

286 

Jacob  van  Ruysdael 

1628-1682 

287 

Salomon  van  Ruysdael 

1600-1670 

288 

Herman  Saftleven 

1609-1685 

290 

about  1400  249 

1539-1591  12-13 

XVIth  Century  53 

1480-1537  60-61 

1480-1544  153 

1558-1614  215 

1514-1562  309 

1539-1587  312-314 

1527-1585  69 

1484-1556  70 

1581-1641  90 

1574-1628  165 


95 


Peter  Soiitnian  1580-1650  310 

Esaias  van  de  Velde  1590-1630  223 

Nicolas  Yerkolje  1673-1746  329 

Cornelis  Visscher  1618-1658  331 

Martin  de  Vos  1531-1603  336 

Jan  Wynants  1625-1682  348 

Stefano  della  Bella  1610-1664  46-48 

Robert  Boissard       _                   •             about  1600  55 

Jean  Parrocel  1648-1704  240 

Charles  Parrocel  1688-1752  241 

Francois  Verdier  1651-1730  328 

Alonzo  Cano  1601-1665  71 

XVIIIth  Century 

Marie  Jeanne  Bernard  1740-1804  50 

Francois  Boucher  1704-1770  57 

Honore  Fragonard  1732-1806  130-131 

J.  B.  Joseph  Pater  1695-1736  243 

Andre  Portail  died  1760  248 

Antoine  Watteau  1684-1721  344 

Francesco  Bartolozzi  1730-1813  20 

G.  B.  Cipriani  1727-1785  78-79 

Thomas  Gainsborough  1724-1788  138 

C.  Kirkpatrick  Sharpe  18th  Century  300 

Aart  Schouman  1710-1788  299 

Cornelis  Troost  1697-1750  319 


PREVIOUS  SPECIAL  CATALOGUES  OF 
R.  EDERHEIMER  -  PRINT  CABINET 


No.  1  Lucas  van  Leyden.  Illustrated.  With  introduction  by 
R.  E.    November,  1908. 

No.  2  Marc  Antonio  and  the  other  Italian  engravers  of  the 
XVIth  Century.  Illustrated.  Introduction  by  R.  E. 
October,  1909. 

No.  3  Martin  Schongauer.  Richly  illustrated.  Introduction  by 
R.  E.    December,  1911. 

No.  4  Mantegna  and  the  other  early  Italian  engravers.  Illus- 
trated. With  introduction  by  R.  E.  December, 
1912. 

No.  5  Robert  Nanteuil.  With  thirteen  reproductions  and  an 
introduction  by  Louis  R.  Metcalfe.    October,  1913. 

No.  6  Original  Drawings  by  Old  Masters.  Illustrated.  With 
introduction.    December,  1913. 

No.  7    Diirer,  Lucas  van  Leyden  and  Marc  Antonio  Raimondi. 
With  introduction  and  Diirer's  Mystical  Tetralogy. 
A  Fantasy  in  Verse  by  R.  E.    January,  1914. 

No.  8  Original  Drav^ings  by  Old  Masters.  Illustrated.  With 
Introduction.    February,  1915. 

No.  9    Portrait  Engravings,  XVIIth  Century.   April,  1915. 


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